The Biblia Sacra was published in 1969 by Rizzoli of Rome. - SIGNATURE : printed in the image - SIZE : 19 x 13 3/4" or 48.26x34.93cm - REFERENCES : Michler and Lopsinger 1600, Field 69-3 - CONDITION : Excellent. New. Original. This is an illustrated book of the Bible in Vulgate. The Biblia Sacra was published in 1969 by Rizzoli of Rome. The lithographs are on a heavy paper and are signed in the plate. The Biblia Sacra lithographs were produced as illustrations for a new edition of the Bible. The Biblia Sacra suite consists of 105 color mixed-technique lithographs after 105 watercolor paintings created by Dali between 1963 and 1964. The Biblia Sacra works are a combination of offset lithography, continuous tone lithography, serigraphy (silkscreening) with application of varnishes and metallic inks. The works were “printed” on a heavy stock designed specifically to hold up to the various techniques used. Quality craftsmanship and artistry are evident in every Biblia Sacra work. The unique combination of multiple printing techniques gives these illustrations a richness and depth that resulted in works that are exceptionally true to the original paintings. Creator: Salvador Dalí (1904 - 1989, Spanish) |
BIBLIA SACRA 90
$4,750.00Prix
In this passage, Jesus speaks to Simon, declaring that he is the rock upon which He will build His Church. This statement is significant in Christian tradition, as it emphasizes Peter's role in the foundation of the Church and the spiritual authority entrusted to him.
Biblical Passage: Matthew 16:18 (KJV)
"And I say also unto thee, That thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it."
Dalí’s Interpretation in Sacra Biblia
In Dalí’s interpretation of the moment when Jesus says, "You are Peter", he would likely use surrealistic elements to emphasize the divine authority and spiritual foundation of Peter’s role. The rock symbolizes stability, yet may also have a fluid, dream-like quality to highlight the transcendent nature of the Church and its foundation. Jesus would be portrayed in a glowing, divine light, while Peter would stand as the solid pillar of the Church, surrounded by surreal light, shadow, and distorted elements. The gates of hell would be symbolized by dark, mysterious forms, but Dalí would likely show them as overcome or melting, illustrating the Church’s victory over evil. Through these symbolic and surrealist depictions, Dalí would convey the eternal truth of Jesus’ words, "Upon this rock, I will build my Church."