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The Biblia Sacra was published in 1969 by Rizzoli of Rome.

- SIGNATURE : printed in the image
- SIZE : 19 x 13 3/4" or 48.26x34.93cm
- REFERENCES : Michler and Lopsinger 1600, Field 69-3
- CONDITION : Excellent. New. Original.

This is an illustrated book of the Bible in Vulgate. The Biblia Sacra was published in 1969 by Rizzoli of Rome. The lithographs are on a heavy paper and are signed in the plate. The Biblia Sacra lithographs were produced as illustrations for a new edition of the Bible. The Biblia Sacra suite consists of 105 color mixed-technique lithographs after 105 watercolor paintings created by Dali between 1963 and 1964. The Biblia Sacra works are a combination of offset lithography, continuous tone lithography, serigraphy (silkscreening) with application of varnishes and metallic inks. The works were “printed” on a heavy stock designed specifically to hold up to the various techniques used. Quality craftsmanship and artistry are evident in every Biblia Sacra work. The unique combination of multiple printing techniques gives these illustrations a richness and depth that resulted in works that are exceptionally true to the original paintings.

Creator: Salvador Dalí­ (1904 - 1989, Spanish)

BIBLIA SACRA 93

$4,750.00Price
  • Matthew 27:26

    This passage describes the moment when Jesus is flogged by the Roman soldiers before His crucifixion. The scourging is part of the intense physical suffering that Jesus endures as He prepares for His ultimate sacrifice on the cross.

    Biblical Passage: Matthew 27:26 (KJV)
    "Then released he Barabbas unto them: and when he had scourged Jesus, he delivered him to be crucified."

    Dalí’s Interpretation in Sacra Biblia
    In Dalí’s interpretation, the event would be depicted as a surreal and intense moment of suffering, focusing on both the physical pain and the spiritual significance of Jesus’ sacrifice. Jesus would be portrayed as the central figure, His body marked by the lashes, with a haunting, emotional expression. The soldiers would be abstract and distorted, reflecting the violence of the moment, while light and shadow would emphasize the spiritual contrast between Christ’s divine purpose and the evil He bears. Dalí would likely use surreal symbolism, such as twisting whips and melting figures, to depict the psychological and emotional turmoil of the scene, underscoring the eternal significance of Jesus’ suffering for humanity’s salvation.

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